Robert Fine and Wilma Cozart Fine c. Fine Today at Preservation Sound dot com we are pleased to present a special guest: Fine, son of high-fidelity recording pioneers C. R Fine and W.
Copyright by James Pritchett. Originally we had in mind what you might call an imaginary beauty, a process of basic emptiness with just a few things arising in it.
And then when we actually set to work, a kind of avalanche came about which corresponded not at all with that beauty which had seemed to appear to us as an objective. Where do we go then? Well what we do is go straight on; that way lies, no doubt, a revelation.
I had no idea this was going to happen. I did have an idea something else would happen. Ideas are one thing and what happens another. And what are we doing? It was an unusual idea for a museum show, since the whole purpose for visiting one is to witness things of beauty or interest.
People do not go to a museum to look at blank walls, to walk through empty galleries. Without any context, visitors would have been quite baffled by this, perhaps thinking that they had taken a wrong turn, that someone made a mistake, or for those who like adventure that a daring theft had taken place.
But these visitors would have known that this is an exhibition about John Cage, and hence the empty room would make sense.
It is not surprising that this piece would attract the kind of attention that it has.
To begin with, it is a compelling dramatic gesture. At its first performance, virtuoso pianist David Tudor sat at the piano, opened the keyboard lid, and sat silently for thirty seconds.
He then closed the lid. He reopened it, and then sat silently again for a full two minutes and twenty-three seconds. He then closed and reopened the lid one more time, sitting silently this time for one minute and forty seconds.
He then closed the lid and walked off stage.
The ‘60s: Culture and Music Essay - Throughout history, music have defined or depicted the culture and social events in America. Music has constantly played an important role in constituting American culture, where people have expressed themselves through music during flourishing and turbulent times. RIGHT(ORWRONG?((Inwritinganessay,regardbouddhiste.comngis,beingrightorwrongis(not(as(important(as(justifying(your(opinion.((Music. View Essay - Essay on My Perspective of the 60s from ENG at Missouri Southern State University. My early understanding of the s had a lot to do with the music of that era, because that's.
With the right kind of performer, such an event can be riveting, and Tudor was absolutely the right kind of performer, possessing an understated mastery of the instrument and a seriousness of purpose that was palpable to everyone in attendance. Part of what makes the drama so compelling is the utter simplicity of the concept.
The composer creates nothing at all.Think of the most dominant, most kinetic narratives of the 60s, the fiery combustion engines that drove the decade: From race, gender and music (Franklin) to war and politics (McCain), they are.
This essay was written for the catalog of the exhibition “John Cage and Experimental Art: The Anarchy of Silence” at the Museu d’Art Contemporani de Barcelona. We get a lot of inquiries, presumably from children of boomers, about clothing fashion in the 60s and 70s.
We are very hesitant to get into that, 'cause the entire Boomer Crew has always been fashion-blind. The American folk-music revival began during the s and peaked in popularity in the mids. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson and Cisco Houston had enjoyed a limited general popularity in the s and s.
In the First World, Rock 'n' Roll, Pop music, Swing music, R&B, Blues, Country music and Rockabilly dominated and defined the decade's music.
These different types of music were simply different from the ’s. A new era had evolved with our music.
WALTER LOWENFELS. Jim Burns. On 23rd July, , FBI agents raided the home of Walter Lowenfels and arrested him for "conspiring to teach and advocate the overthrow of the government by force and violence," a charge covered by the Smith Act which was used to harass members of the American Communist Party.